St Andrew Lutheran Church

900 Stillwater Road

Mahtomedi, MN 55155

 

Builder: Schantz Organ Co. (2001)

Originally Casavant Frères Ltée (Opus 1177, 1927)

Manuals: 4

Ranks: 108

Pipes: 7000

Action: Electro-pneumatic chests

--Information from the church 

Last Update: 2009    



GREAT ORGAN

1. 16’ Double Open Diapason 73

2. 16’ Bourdon 73

3. 8’ 1st Open Diapason 73

4. 8’ 2nd Open Diapason 73

5. 8’ 3rd Open Diapason 73

6. 8’ Hohl Flute 73

7. 8’ Bourdon 73

8. 8’ Gemshorn 73

9. 4’ Octave 73

10. 4’ Harmonic Flute 73

11. 2-2/3’ Twelfth 73

12. 2’ Fifteenth 61

13. V Cornet 365

14. IV Fourniture 292

15. 16’ Contra Tromba 73

16. 8’ Tromba 73

17. 4’ Clarion 73

18. 8’ Trompette en chamade 61 new stop, high pressure, not affected by couplers

19. Chimes [Solo]

20. Celesta [Choir]

21. MIDI on Great


SWELL ORGAN

22. 16’ Bourdon 73

23. 8’ Open Diapason 73

24. 8’ Geigen Principal 73

25. 8’ Flûte Traverse 73

26. 8’ Cor de Nuit 73

27. 8’ Viola da Gamba 73

28. 8’ Voix Céleste 73

29. 8’ Dolcissimo 73

30. 8’ Dolcissimo Celeste 73 new stop

31. 4’ Octave 73

32. 4’ Flûte Octaviante 73

33. 4’ Violina 73

34. 2’ Piccolo 61

35. V Cornet 365

36. IV Plein Jeu 292

37. 16’ Double Trumpet 73

38. 8’ Cornopean 73

39. 8’ Oboe 73

40. 8’ Vox Humana 73

41. 4’ Clarion 73

42. 8’ Trompette en chamade [Great]

43. Chimes [Solo]

44. Celesta [Choir]

45. Tremulant

46. MIDI on Swell



CHOIR ORGAN

47. 16’ Quintaton 73

48. 8’ Open Diapason 73

49. 8’ Melodia 73

50. 8’ Rohr Flute 73

51. 8’ Quintadena 73

52. 8’ Viole d’Orchestra 73

53. 8’ Viole Celeste 73

54. 8’ Dulciana 73

55. 8’ Dulciana Celeste 73 new stop

56. 4’ Octave 73

57. 4’ Flûte d’Amour 73

58. 2-2/3’ Nasard 73

59. 2’ Flageolet 61

60. 1-3/5’ Tierce 61

61. 1-1/3’ Petite Quint 61

62. 1-1/7’ Septime 61

63. 1’ Piccolo 61

64. VIII Cornet [synthetic]

65. 16’ Bassoon 73

66. 8’ Trumpet 73

67. 8’ Clarinet 73

68. 8’ Orchestral Oboe 73

69. 4’ Clarion 73

70. 8’ Trompette en chamade [Great]

71. Celesta 61 notes action rebuilt

72. Harp action rebuilt

73. Chimes [Solo]

74. Tremulant

75. MIDI on Choir

SOLO ORGAN

76. 16’ Contra Gamba 73

77. 8’ Diapason 73

78. 8’ Grosse Flûte 73

79. 8’ Gamba 73

80. 8’ Gamba Céleste 73

81. 4’ Octave 73

82. 4’ Flûte Octaviante 73

83. 4’ Viola 73

84. VII Grand Cornet 511

85. 16’ Tuba Magna 73

86. 8’ Tuba Mirabilis 73

87. 8’ French Horn 73

88. 8’ Cor Anglais 73 new pipes

89. 4’ Tuba Clarion 73

90. 8’ Trompette en chamade [Great]

91. Chimes 25 bells new action

(note: 2 tubes missing)

92. Celesta [Choir]

93. Tremulant

94. MIDI on Solo



PEDAL ORGAN

95. 32’ Double Open Diapason 12 #97

96. 32’ Bourdon 12 #98

97. 16’ Open Diapason 32

98. 16’ Bourdon 32

99. 16’ Violone 32

100. 16’ Dulciana 32

101. 16’ Gedeckt [Swell]

102. 10-2/3’ Quint 32

103. 8’ Octave 12 pipes #97

104. 8’ Flute 32

105. 8’ Gedeckt [Swell]

106. 8’ Cello 32

107. 8’ Dulciana 12 pipes #100

108. 6-2/5’ Tierce 32

109. 5-1/3’ Quint 12 #102

110. 4’ Super Octave 12 #97

111. 4’ Bourdon 32

112. 4’ Gedeckt [Swell]

113. 4’ Dulciana 12 #100

114. 32’ Contra Trombone 12 #115

115. 16’ Trombone 32

116. 16’ Bassoon 32

117. 8’ Trumpet 32

118. 4’ Clarion 32

119. 2’ Octave Clarion 32

120. 8’ Trompette en chamade [Great]

121. Chimes [Solo]

122. MIDI on Pedal

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Additional information and corrections to this organ profile are gratefully received by:                  

Richard C Greene, Organ list manager

739 Como Ave

Saint Paul, MN 55103

rgreene@me.com

This instrument, inaugurated by none other than Louis Vierne, was installed originally at Phillips Academy in Andover, MA. In the 1970s, the school replaced its huge Casavant with another, smaller, more 'classical' pipe organ. The old instrument was sold and removed to tenuous storage for the next sixteen years. Rescued from limbo by the Saint Andrew's music committee and given new wind chests and mechanism by the Schantz Organ Company, the Casavant pipework remains essentially intact and unaltered and now enjoys its 'second coming' in a contemporary worship space designed specifically to accommodate a truly remarkable and resilient instrument.